Classical Notes

Reflections on classical music, recordings and performances

Monday, 28 November 2022

CD Reviews - December 2022

›
Johannes Pramsohler (violin) and Ensemble Diderot are back with an intriguing collection of so-called ‘Travel Concertos’ , centred around t...
Thursday, 17 November 2022

Albéric Magnard steals the show in all-French recital at Wigmore Hall

›
Orsino Ensemble © Matthew Johnson Jean-Efflam Bavouzet (piano) Orsino Ensemble :     Adam Walker (flute)     Nicholas Daniel (oboe)     M...
Monday, 31 October 2022

A profoundly moving Shostakovich cycle marks the Brodsky Quartet's 50th birthday in style

›
Brodsky Quartet © Sarah Creswell Brodsky Quartet Elizabeth Wilson Marina Frolova-Walker Saturday 29 & Sunday 30 October 2022 Kings Place...
Thursday, 27 October 2022

CD Reviews - November 2022

›
Pianist  Clare Hammond’s  new disc (realised 4 November) of  Études  by Hélène de Montgeroult (1764-1836) is a complete revelation. Eight ye...
Monday, 24 October 2022

Brighton Early Music Festival 2022

›
  My highlights from this year's Brighton Early Music Festival :   Exceptional music making from such a talented pool of #BREMFLive mus...
Monday, 17 October 2022

Strong cast lifts conventional Bohème revival at the Royal Opera House

›
Juan Diego Flórez (Rodolfo) & Ailyn Pérez (Mimì) © ROH/Marc Brenner Kevin John Edusei   (Conductor) Richard Jones (Director) Danielle U...
Tuesday, 11 October 2022

Death haunts Glyndebourne Tour's powerful Bohème

›
Bekhzod Davronov (Rodolfo) & Gabriella Reyes (Mimì) © Glyndebourne Productions Ltd/Bill Cooper Glyndebourne Tour 2022 Rory Macdonald (c...
‹
›
Home
View web version

About Me

My photo
nicks-classical-notes
View my complete profile
Powered by Blogger.