Classical Notes: Strong performances avoid Gloger's Così being buried by its own cleverness

'The frequent set changes bring constant interest, with clever use of different levels of staging, and strong singing and acting performances from all make this great fun, if one lets go of it all making a great deal of sense'.

'Golda Schultz was the clear standout here, negotiating effortlessly Fiordiligi’s extensive vocal demands, particularly in ‘Come scoglio’, with its range of over two octaves and massive leaps'.

'Daniel Behle displayed a beautifully lyrical tone, and played the less bombastic of the two men convincingly. In “Un’aura amorosa” he demonstrated incredibly delicate control at the top, as well as delivering a powerful sound when required.'.

'Jennifer France’s Despina was full of fun, with great comedic timing and clowning as the disguised doctor and notary, and was highly nimble vocally, with some cracking top notes too'.

'The Royal Opera Chorus were on fine form, with some subtly raunchy partner-swapping in the background, as well as delivering their pithy choruses. Alexander Soddy conducted with pace and precision, and there was some particularly fine horn and woodwind playing'.

Read my full review on Bachtrack here.

Classical Notes

Friday 28 June 2024

Strong performances avoid Gloger's Così being buried by its own cleverness

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