Tuesday, 11 October 2022

Death haunts Glyndebourne Tour's powerful Bohème


Rory Macdonald (conductor)
Floris Visser (director)
Simon Iorio (revival director)
Dieuweke Van Reij (set designer)
Jon Morrell (costume designer)
Pim Veulings (choreographer)
Alex Brok (lighting designer)
Klaus Bertisch (dramaturg)

Richard Milone (leader)
Aidan Oliver (Chorus Director)
Children's Chorus:

Luthando Qave (Marcello)
William Thomas (Colline)
Luvuyo Mbundu (Schaunard)
Darren Jeffery (Benoît/Alcindoro)
Peter Van Hulle (Death/Parpignol)
Andrew Davies (Customs Officer)
Patrick Keefe (Police Sergeant)

Sunday 9 October 2022

Glyndebourne, East Sussex


Giacomo Puccini (1858-1924): La bohème
(libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henry Murger)


William Thomas, Luvuyo Mbundu, Darren Jefferey,
Luthdano Qave & Bekhzod Davronov 
© Glyndebourne Productions Ltd/Bill Cooper
'(The insertion of Death) is a useful conceit, drawing the audience into her fear and ultimate acknowledgement of her fate, as it is clear only we and Mimì see Death’s presence'.

'It is remarkably successful. ... there is an intensity to the setting, paring the action down allowing for full focus on the emotional interactions'.

'Davronov captured well Rodolfo’s impetuous youthfulness, contrasted with Reyes’ emotional intensity, with that added dimension of her visions of Death'.

'Davronov sang Rodolfo with strong clear lines and passion, yet he never dominated proceedings, for it was Reyes that shone with rich lyricism and depth of emotion. Qave as Marcello also deserves mention ... bringing a powerful, rich-toned presence to the role'.

Darren Jeffery (Alcindoro) & Mariam Battistelli (Musetta)
© Glyndebourne Productions Ltd/Bill Cooper
'Rory Macdonald conducted the Glyndebourne Tour Orchestra with energy, maintaining the forward momentum as well as eliciting the rich lyricism of Puccini’s luscious scoring'.

'It succeeds in bringing a new perspective, and the strength of the whole cast mean that this is a production that definitely stands out from the crowd'.

Read my full review on Bachtrack here.

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