The Van Baerle Trio
met while they were studying at the Amsterdam Conservatory in 2004. They have since worked with Menahem Pressler,
pianist in the Beaux Arts Trio, and their debut CD is very impressive. They perform two great French works – the
first of Saints-Saëns’ two piano
trios, and Ravel’s single work for
the combination. In between, they play a
single movement work by the Dutch composer Theo Loevendie (b.1930), called Ackermusik. This provides an interesting interlude
between the two French works, although stylistically it isn’t a great fit. However, they tackle its extremes of dynamics
and rhythmic difficulties well. But in
the two main works, they really shine.
They capture the lightness and spirit required in the Saints-Saëns, yet
also show great sensitivity in the delicate slow movement. The Ravel is a beautiful piece, full of
richness, almost orchestral colours, and their performance is suitably intense
and full. Pianist Hannes Minnaar produces beautifully sonorous playing in the third
movement Passacaille, and this is matched by touching, delicate playing from
violinist Maria Milstein and cellist
Gideon den Herder. Definitely an ensemble to keep an eye on.
Various. Piano Trios. Van Baerle Trio. 2012. Compact Disc. Et'Cetera. KTC 1438.
Various. Piano Trios. Van Baerle Trio. 2012. Compact Disc. Et'Cetera. KTC 1438.
The Doric String Quartet garnered wonderful reviews for their recording of the
String Quartets by Erich Korngold
(1897-1957). Following further
excellent CDs of Schumann and Walton, they return to Korngold, joined by
friends for performances of the Piano
Quintet and the Sextet. First, in the Piano Quintet they are joined
by the great pianist Kathryn Stott,
and clearly have a great time. They
avoid over-sentimentalising the already highly romantic music, yet still manage
to provide the necessary nostalgic warmth and youthful spirit (the composer was
still just 23 when this was composed). In
the Sextet, the Dorics are joined by an extra viola (Jennifer Stumm) and cello (Bartholomew LaFollette). This is an even earlier
work, from 1914 – yet the child prodigy had already been composing for 8 years
by now. If anything, it is even more
intense than the Quintet, and the musicians work well together here. Unlike some string sextets, Korngold avoid a
heavy, dense texture, and rather chooses to use the instruments contrapuntally
much of the time. The slow movement here
is particularly tenderly performed.
Overall, another impressive release to add to the Dorics’ growing
catalogue.
Korngold, Eirch Wolfgang. String Sextet, Piano Quintet. Doric String Quartet, Jennifer Stumm, Bartholomew LaFollette, Kathryn Stott. 2012. Compact Disc. Chandos CHAN 10707.
Korngold, Eirch Wolfgang. String Sextet, Piano Quintet. Doric String Quartet, Jennifer Stumm, Bartholomew LaFollette, Kathryn Stott. 2012. Compact Disc. Chandos CHAN 10707.
Ola Gjeilo (b.1978) is a young Norwegian composer, specialising predominantly in
choral music, and he is currently the composer in residence with the excellent Phoenix Chorale from Arizona. I was looking forward to this CD, as I had
read good things about it. The
performances can’t be faulted – the Phoenix Chorale are spot on, with a warm
and well blended sound, and perfect intonation throughout. It is the music that is rather beneath their
considerable talents. In the whole disc
(which includes eleven different works), there is not a single unexpected harmonic
change, and the cumulative effect of the saccharin harmonies and relentlessly
slow (even turgid) tempi leave one longing for some dissonance and rhythmic
interest. Choral music has become trendier
of late, with the likes of Eric Whitacre, and Paul Mealor (made popular by the
Military Wives). But Whitacre does
achieve variety and produces a range of interesting choral effects in his inventive
music. Here, the sound world of each
piece is pretty much identical, the only interest being the works with added
string quartet (the Harrington String
Quartet), piano (the composer himself) or tenor saxophone (Ted Belledin). We’re two thirds of the way in before there
is a piece with any real drive (Prelude),
but this is in fact the shortest track, and then we’re straight back into soporific
‘atmospheric’ territory. A real
disappointment.
Gjeilo, Ola. Northern Lights, Choral Works by Ola Gjeilo. Phoenix Chorale, Charles Bruffy. 2012. Hybrid Super Audio Compact Disc. Chandos CHSA 5100.
Gjeilo, Ola. Northern Lights, Choral Works by Ola Gjeilo. Phoenix Chorale, Charles Bruffy. 2012. Hybrid Super Audio Compact Disc. Chandos CHSA 5100.
French baritone Gérard
Souzay died in 2004 aged 85. He was
recognized as one of the foremost singers of French mélodie but also one of few French singers to excel in German
repertoire too. His voice had
beautifully rounded quality, never harsh, yet still full of character. The Schwetzingen Festival have been releasing
recordings from their archives, and this is a real treat, from a recital in
1960, when Souzay was accompanied by Dalton
Baldwin on piano. He performed
several Schubert songs (including An die Musik), the Six Monologues for Everyman by Frank
Martin, and ended with a set of Strauss
songs. In the middle was the French
repertoire – Ravel’s Cinq melodies
populaires grecques, and Deux mélodies
hébraiques, which are particularly touching. His voice was truly in its prime, and this is
a wonderful selection to whet your appetite if you don’t already know this
truly great singer.
Various. Gérard Souzay, Liederabend 1960. Gérard Souzay, Dalton Baldwin. 2012. Compact Disc. Hänssler Classic CD 93.717.
Various. Gérard Souzay, Liederabend 1960. Gérard Souzay, Dalton Baldwin. 2012. Compact Disc. Hänssler Classic CD 93.717.
Next, works by
Manuel de Falla (1876-1946)
performed by the BBC Philharmonic, conducted
by Juanjo Mena. First comes the ballet ‘El sombrero de tres picos’ (The Three-cornered Hat). This is great fun, with real atmosphere and
folk spirit, energetically performed, with a lovely contribution from soprano Raquel Lojendio. Next comes a wonderfully atmospheric and
lively performance of ‘Noches en los
jardines de España’ (Nights in the Gardens of Spain), with Jean-Efflam Bavouzet on piano. They finish the programme with ‘Homanajes’ (Tributes), a suite for
orchestra written late in his life, and containing tributes to Debussy, Dukas,
and lesser known (to us) influences on Falla – the Catalan composer Felipe
Pedrell and the conductore Enrique Fernández Arbós. This is very enjoyable, and excellently
recorded – a little more abandon in places would have made this a perfect
addition to the catalogue, but it’s definitely up there, particularly
Bavouzet’s performance in the Noches.
de Falla, Manuel. Nights in the Gardens of Spain, etc. Jean-Efflam Bavouzet, Raquel Lojendio, BBC Philharmonic, Juanjo Mena. 2012. Compact Disc. Chandos CHAN 10694.
de Falla, Manuel. Nights in the Gardens of Spain, etc. Jean-Efflam Bavouzet, Raquel Lojendio, BBC Philharmonic, Juanjo Mena. 2012. Compact Disc. Chandos CHAN 10694.
Finally, in
brief – an excellent re-release of a remastered recording from 1989 of the
late, great Sir Charles Mackerras
conducting the London Symphony Orchestra,
with Raphael Wallfisch playing the Dvořák Cello Concerto, and also Dohnányi’s Konzertstück. Surprisingly fresh recorded sound, combined
with assured interpretations from both conductor and soloist, at mid-price this
is worth snapping up.
Various. Dvořák Cello Concerto, Dohnányi Konzertstuck. Raphael Wallfisch, London Symphony Orchestra, Charles Mackerras. 2012. Chandos. CHAN 10715X.
Various. Dvořák Cello Concerto, Dohnányi Konzertstuck. Raphael Wallfisch, London Symphony Orchestra, Charles Mackerras. 2012. Chandos. CHAN 10715X.
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