Showing posts with label Thomas Adès. Show all posts
Showing posts with label Thomas Adès. Show all posts

Wednesday, 26 March 2025

Bach sheds light in a impressively dark outing from the Australian Chamber Orchestra

The Australian Chamber Orchestra at the Barbican
© Mark Allan/Barbican

Alexander Melnikov (piano)
Richard Tognetti (director)

7.30pm, Friday 21 March 2025






Johann Sebastian Bach (1685-1850): The Musical Offering, BWV1079: Ricercar a 6 (arr. Richard Tognetti (b.1965)
Bach: Brandenburg Concerto no. 3 in G major, BWV1048
Dmitri Shostakovich (1906-1975): Piano Concerto no. 1 in C minor for piano, trumpet and string orchestra, Op.35
Encore:
Paul Hindemith (1895-1963): Sonata for Trumpet & Piano, 3rd movement, extract
Sofia Gubaidulina (1931-2025): Reflections on the theme B-A-C-H, for string quartet (arr. for strings)
Dmitri Shostakovich (1906-1975): Chamber Symphony in C minor, Op.110a (arr. Rudolf Barshai (1924-2010))
Encore:
Thomas Adès (b.1971): Arcadiana, Op.12 No.6: Albion

Jeroen Berwaerts & the ACO
© Mark Allan/Barbican
Bach:Bach:
Bach:
'The Third Brandenburg Concerto had lively pace, brightness and understated dynamics, allowing for joyful interplay of solo lines'. 

Shostakovich:
'All concerned certainly delivered excitement, but also the darker uncertainty that lurks beneath its surface frivolity'.

Hindemith:
'Berwaerts delivered Hindemith’s drawn-out setting with stately solemnity and impressive control, over strangely lilting piano rhythms from Melnikov'.

Gubaidulina:
'The ACO ratcheted it up with searing intensity to a screeching climax, with eery glissandi peppering the route along the way'. 

Alexander Melnikov
© Mark Allan/Barbican
Shostakovich:
'The ensemble here brought intensity and commitment, and the second movement’s wild dance was indeed disturbing'. 

Read my full review on Bachtrack here.



Friday, 7 June 2019

Sparkling 'Music of the Spheres' full of cosmic energy from Kuusisto, Collon and Aurora Orchestra

Aurora Orchestra/Nicholas Collon
© Nick Rutter

Pekka Kuusisto (violin)
Aurora Orchestra
Nicholas Collon (conductor)
Samuel West (narrator)
Sam Swallow (singer, piano)

Wednesday 5 June, 2019

Queen Elizabeth Hall, London






Max Richter: Journey Song (CP1919)
Beethoven: String Quartet No. 8 in E minor, Op. 59 No. 2 'Razumovsky' (Molto adagio)
Thomas Adès: Violin Concerto, 'Concentric Paths'
Encore:
Nico Muhly: Material in E flat, from Drones and Violin Part 1
Mozart: Symphony no. 41 in C major, K551 'Jupiter'
Encore:
David Bowie: Life on Mars

Pekka Kuusisto, Aurora Orchestra/Nicholas Collon
© Nick Rutter
Richter:
'The orchestra showed impressive command and ensemble, no mean feat with relatively little clear rhythmic pulse, in the dark and from memory!'

'Kuusisto is a striking presence and a soloist who clearly relishes in a collaborative process with other musicians'.

Mozart:
'The communication between the players, released from the confines of chairs and music stands, was so evident'.
'I’m not sure I want to see it performed any other way for some time to come'.

'Endless column inches are written on regular basis about how to keep audiences engaged and bring new punters into the concert hall: the Aurora Orchestra are just getting on with making it happen, and long may they continue'.

Read my full review on Bachtrack here.

Aurora Orchestra/Nicholas Collon
© Nick Rutter