A joy to behold: Evgeny Kissin on a roll at the Salzburg Festival

Evgeny Kissin
© Salzburg Festival/Marco Borelli

Evgeny Kissin (piano)

Saturday 14 August 2021

Reviewed from online stream Saturday 28 August 2021

(available at Arte here)

Großes Festspielhaus, Salzburg

★★★★★

Alban Berg (1885-1935): Piano Sonata No. 1

 

Tikhon Khrennikov (1913-2007): Dance, Op. 5 No. 3

                                                    Five Pieces for Piano, Op. 2

 

George Gershwin (1898-1937): Three Preludes

 

Frédéric Chopin (1810-1849): Nocturne in B major, Op. 62 No. 1

                                                Impromptu No. 1 in A flat major, Op. 29

                                                Impromptu No. 2 in F sharp major, Op. 36

                                                Impromptu No. 3 in G flat major, Op. 51

                                                Scherzo No. 1 in B minor, Op. 20

                                                Polonaise in A flat major, ‘Heroic’, Op. 53

 

Encores:

Felix Mendelssohn (1809-1847): ‘Duetto’, Songs Without Words Op. 38 No. 6

Evgeny Kissin (b.1971): Dodecaphonic Tango, from Four Piano Pieces, Op. 1

Frédéric Chopin (1810-1849): Scherzo No. 2 in B flat minor, Op. 31

Claude Debussy (1862-1918): Suite bergamasque, L.75 No. 3, ‘Claire de lune’

Evgeny Kissin
© Salzburg Festival/Marco Borelli

'The beaming smiles when he takes a bow – and his multiple encores – let you know that, despite the concentration, he is having a great time, and we are part of that'.

'Over one and three quarter hours playing is a feat of memory at the very least, but to maintain momentum, energy and concentration, taking a rapt audience with him all the way is something extraordinary'

'It was the intensity of his playing that captivated; the whirlwind of dark energy and thrashing chords in the Scherzo no. 1and the ringing pedalling and virtuosic final section of the second Impromptu were breathtaking'.

'After all the dramatic intensity, he ended with a masterstroke, with the calm stillness of Debussy’s Clair de lune'.

Read my full review on Bachtrack here.

No nonsense joy in Kissin's Beethoven at the Barbican

Evgeny Kissin
© Felix Broede

Evgeny Kissin (piano)

Thursday 6 February 2020

Barbican Hall, London

★★★★★













Ludwig van Beethoven (1770-1827):
Piano Sonata No. 8 in C minor, Op. 13 'Pathétique'
15 Variations and a Fugue, Op. 35 'Eroica'
Piano Sonata No. 17 in D minor, Op. 31 No. 2 'Tempest'
Piano Sonata No. 21 in C major, Op. 53 'Waldstein'
Encores:

Bagatelle for piano, Op.126 No.6 in E flat major

Six variations on an original theme for piano in D major, Op.76

Bagatelle for piano, Op.33 no. 5 in C major

Six Écossaises for piano, WoO 83

Evgeny Kissin
© Nick Boston

'Kissin took no prisoners – definitely not Beethoven for the fainthearted, yet performances full of urgent energy and evident joy in the music'.

The 'Pathétique' Sonata:

'It is a testament to Kissin’s unquestionably phenomenal technical prowess that nothing ever disrupted the momentum here'.

The Eroica Variations:

'Kissin carried us through their journey with a great sense of the overall architecture'.

'The Tempest was impatient and full of breathless energy ... The Waldstein was uncluttered and surprisingly smooth'.

Read my full review on Bachtrack here.