A joy to behold: Evgeny Kissin on a roll at the Salzburg Festival

Evgeny Kissin
© Salzburg Festival/Marco Borelli

Evgeny Kissin (piano)

Saturday 14 August 2021

Reviewed from online stream Saturday 28 August 2021

(available at Arte here)

Großes Festspielhaus, Salzburg

★★★★★

Alban Berg (1885-1935): Piano Sonata No. 1

 

Tikhon Khrennikov (1913-2007): Dance, Op. 5 No. 3

                                                    Five Pieces for Piano, Op. 2

 

George Gershwin (1898-1937): Three Preludes

 

Frédéric Chopin (1810-1849): Nocturne in B major, Op. 62 No. 1

                                                Impromptu No. 1 in A flat major, Op. 29

                                                Impromptu No. 2 in F sharp major, Op. 36

                                                Impromptu No. 3 in G flat major, Op. 51

                                                Scherzo No. 1 in B minor, Op. 20

                                                Polonaise in A flat major, ‘Heroic’, Op. 53

 

Encores:

Felix Mendelssohn (1809-1847): ‘Duetto’, Songs Without Words Op. 38 No. 6

Evgeny Kissin (b.1971): Dodecaphonic Tango, from Four Piano Pieces, Op. 1

Frédéric Chopin (1810-1849): Scherzo No. 2 in B flat minor, Op. 31

Claude Debussy (1862-1918): Suite bergamasque, L.75 No. 3, ‘Claire de lune’

Evgeny Kissin
© Salzburg Festival/Marco Borelli

'The beaming smiles when he takes a bow – and his multiple encores – let you know that, despite the concentration, he is having a great time, and we are part of that'.

'Over one and three quarter hours playing is a feat of memory at the very least, but to maintain momentum, energy and concentration, taking a rapt audience with him all the way is something extraordinary'

'It was the intensity of his playing that captivated; the whirlwind of dark energy and thrashing chords in the Scherzo no. 1and the ringing pedalling and virtuosic final section of the second Impromptu were breathtaking'.

'After all the dramatic intensity, he ended with a masterstroke, with the calm stillness of Debussy’s Clair de lune'.

Read my full review on Bachtrack here.

Darkly intense Berg from Kavakos, with uplifting Schubert from Rattle and the LSO

Leonidas Kavakos
© London Symphony Orchestra

Leonidas Kavakos (violin)

London Symphony Orchestra

Sir Simon Rattle (conductor)

Streamed Thursday 21 January 2021 at Marquee TV

(available free for 7 days, then on demand through subscription)

Recorded Thursday 7 January 2021

LSO St Luke's, London

★★★★

Alban Berg (1885-1935): Violin Concerto 'To the Memory of an Angel'

Franz Schubert (1797-1828): Symphony No. 9 in C major D944, 'The Great'

Sir Simon Rattle & the LSO
© London Symphony Orchestra

Berg:

'His incisive virtuosity brought a moving intensity'. 

'Kavakos’ effortless cadenza passages, with a tolling solo line combined with fiendish left hand pizzicato, was captured well by close-up camerawork and his lament, joined by the bassoons, was heartrending'.

Juliana Koch
© London Symphony Orchestra

Schubert:

'Rattle’s Andante (often taken too slowly) had energy, yet it didn’t feel rushed'.

'Through the endless stream of Schubert’s ideas, Rattle maintained the momentum, driving through with the racing strings to blazing trumpets and a glorious finish'.

Read my full review on Bachtrack here.