Brothers
Paul and Huw Watkins have released
the first volume of an exploration of British works for Cello and Piano. Their first volume includes Sonatas by Hubert Parry (1848-1918), Frederick
Delius (1862-1934), John Foulds
(1880-1939) and a short piece, Hamabdil,
by Granville Bantock (1868-1946). The Parry is the earliest work, and it is
clearly influenced by his hero, Brahms, and makes use of a four-note motif in
the outer movements, with a particularly lyrical middle slow movement. The Delius Sonata has just one movement,
although it has three distinct sections.
Like much of Delius’ music, it has a seemless flow, and this can make
his music difficult to shape. However,
the Watkins brothers manage to achieve a sense of direction in the melodic
writing for cello and the often chordal piano accompaniment. Bantock’s Hamabdil is a short setting of a
Jewish hymn, and is a delightful miniature, with Paul Watkins relishing in the
cadenza writing for the cello. They
close the disc with the most interesting work – Foulds’ expansive Sonata from
1905 (although it survives only in the revised version from 1927). It is an extrovert, expansive work, with a
curious mix of romanticism and more innovative techniques, such as whole tone
scales, and quarter tones. The slightly
queasy-making use of quarter tone double-stopping in the slow movement, over
chilly open octaves in the piano is particularly striking, and very
effective. Overall, enjoyable
performances of four varied works, all previously unknown to me. I await Volume 2 with interest.
Briefly,
check out two re-releases of music by Zoltán
Kodály (1882-1967). The recordings
date from the late sixties to seventies, and one disc include the Háry János Suite, the Dances of Galánta, and ‘The Peacock Variations’ (sung by London Symphony Chorus), whilst the
other is a two disc set, with Psalmus
Hungaricus, Missa Brevis, Pange Lingua, Psam 114, the Hymn of Zrinyi and Laudes
Organi, all sung here by Brighton Festival Chorus (before my time singing with them, but many current members
took part in the recordings). István Kertész conducts the London Symphony Orchestra on the first
disc, and in Psalmus Hungaricus –
this recording was described by the Penguin Guide as ‘splendidly vibrant’ and
‘outstanding’ (March et al, 2003, p678), and BFC’s founding conductor, László Heltay conducts the other works. The second set is filled with Sir Georg Solti conducting the Budapest Festival Orchestra in his
final recording, of Bartók’s Cantata
Profana. So a couple of great budget
price discs, covering the key choral works of Kodály, with excellent
performances from Brighton’s own Chorus – see here for a chance to
hear us this month.
March, I. et al. (Eds.) The Penguin Guide to Compact Discs & DVDs 2003/4 Edition. 2003. Penguin Books, London.
(Edited versions of these reviews first appeared in GScene magazine, March 2013)
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