Showing posts with label Lawrence Power. Show all posts
Showing posts with label Lawrence Power. Show all posts

Wednesday, 10 February 2021

Defiantly alive Dvořák and joyful Schubert from the Nash Ensemble

Graham Mitchell (double bass)

Streamed online 7.30pm, Monday 8 February 2021
Recorded January 2021
Available free online here for 30 days (make a donation here)

Wigmore Hall, London


Antonín Dvořák (1841-1904): Piano Quartet No. 2 in E flat major, Op. 87

Franz Schubert (1797-1828): Piano Quintet in A major 'Trout Quintet', D667

Nash Ensemble
© Wigmore Hall
Dvořák:
'The Nash players grabbed hold of proceedings with the emphatic, arresting opening, and the distant key harmonies underpinning the string and piano exchanges that followed were full of mystery and expectation'.

'This was a defiantly alive performance throughout, with tight ensemble and infectious intensity, right to its full-bodied finish'.

Schubert:
'The Theme and Variations fourth movement was delivered with delicate poise, simply enjoying the unfolding of Schubert’s melody and varied accompaniment, with particularly liquid pianism from Beatson'.

'This was as joyful a Trout, without any unnecessary outstanding features, as one would want – nothing to get in the way of heartfelt delight in Schubert’s invention and the joy of chamber musicians making music together'. 

Read my full review on Bachtrack here.


Monday, 5 June 2017

Stimulating programming and powerful performances from Lawrence Power, the Philharmonia and Gustavo Gimeno

Gustavo Gimeno (© Marco Borggreve)

Gustavo Gimeno (conductor)
Lawrence Power (viola)

Philharmonia Orchestra

Thursday 1 June 2017

Royal Festival Hall, London





Ligeti: Concerto Românesc

Salonen: Pentatonic Etude for Solo Viola

Bartók: Viola Concerto, Sz 120

Mahler: Symphony No. 1 in D major, 'Titan'

Ligeti: 'Gimeno elicited energy and spark from the Philharmonia players, as well as many commanding solos'.


Salonen: 'Power communicated with great conviction, proving a strong advocate for this striking miniature'.

Bartók: 'Power maintained the level of intensity (...) communicating constantly with Gimeno and the orchestral players'.


Mahler: A 'tightly controlled performance, with moments of great delicacy as well as power'.


Read my full review on Backtrack here.


Monday, 29 June 2015

Dohnányi and the Philharmonia in a rousing close to the season

© Andreas Garrels/NDR
Christoph von Dohnányi (conductor)
Arabella Steinbacher (violin)
Lawrence Power (viola)

The Philharmonia Orchestra

Bartók: Divertimento
Mozart: Sinfonia Concertante for violin and viola in E flat, K364
Beethoven: Symphony No. 7 in A, Op. 92

Royal Festival Hall, Sunday 28 June 2015.


'Dohnányi maintained a fine balance ... between exuberance and control'.

'Power was full of energy, itching to join in with the orchestra'.

'Steinbacher’s performance ... was one of self-contained simplicity'.

'The finale was full of Beethovenian joy and life force, and Dohnányi encouraged the brass to shine, bringing this commanding performance to a rousing finish'.

Read my full review on Bachtrack here.